Gardar Eide Einarsson’s work series Plague Drawing uses as its indirect point of departure the global COVID-19 situation by referring to Albert Camus’s literary principal work The Plague. Thus, Einarsson’s works on paper are based on the various book covers for the novel, which outlines a battle between humanism and …
Gardar Eide Einarsson (b. 1976) is a Norwegian artist working in installation, printmaking, painting and sculpture. His work explores forms of social transgression and images for political subversion.
Find upcoming and past auctions and exhibitions featuring their work at Phillips. Gardar Eide Einarsson Norwegian, born 1976 2 works online. Exhibitions That was Then, This is Now Jun 22–Oct 5, 2008. MoMA PS1 Greater New York 2005 Gardar Eide Einarsson, I HAVE A DREAM OF LAW AND ORDER, 2018, Silkscreen on hand painted paper, 108 x 400 cm (42,52 x 157,48 in), Four panels, each 108 x 100 cm (42,52 x 39,37), Edition #2/2. Photo courtesy of Nils Stærk Nils Stærk is proud to present Gardar Eide Einarsson's fifth solo exhibition in the gallery.
Acrylic, graphite, ink, silkscreen on canvas (190 x 110 c… Mer Gardar Eide Einarsson - Versuchsstation DES Weltuntergangs: Einarsson, Garner Eide, Sekkingstad, Steinar, Ovstebo, Solveig: Amazon.se: Books. Gardar Eide Einarsson, 1976. Burnt White Flag. 2005.
17 feb. 2011 — Bruce Nauman David Hammons Gardar Eide Einarsson Jeff Koons Kara Walker Kimsooja Martin Parr Stéphane Thidet Investigations of a Dog
1976) is an artist whose work encompasses installation, printmaking, painting and sculpture. In his work, he critically explores various forms of social transgression and arguments for political subversion and appropriates and recontextualizes imagery from subcultures. Gardar Eide Einarsson Gardar Eide Einarsson works with the notion of sub cultures and how to access these environments.
Gardar Eide Einarsson has had solo exhibitions at the Astrup Fearnley Museum of Modern Art, Oslo (2010); Frankfurter Kunstverein (2007); Sorry, We're Closed,
1976) og Matias Faldbakken (f. 1973), 'Untitled (Sweden)' skateboard. Om kunstnerne: Gardar Eide Einarsson: 30 maj 2011 — I går var vi på Bonniers Konsthall och tittade på Gardar Eide Einarssons utställning Power Has a Fragrance. Dagen till ära var det Gardar Eide Einarsson älskar undergroundkultur.
Ann Heberlein, forskare i etik vid Lunds universitet, författare och kulturskribent och flitigt engagerad 4 maj. Karolina
Gardar Eide Einarsson, Stanley Whitney, Ryan McGinley, Gert & Uwe Tobias, Chris Vasell, Slater Bradley, David Ratcliff, and Pierre Bismuth Art Köln April 13th – 17th 2011
2011-02-23 · Gardar Eide Einarsson opererar i princip likadant, men med större sofistikation än konstellationen på Konst-akademien. Jasper Johns-referenser och Frank Stella-blinkningar möter amerikanskt polisvåld och fullskalemodeller av thailändska rödskjortebarrikader. Också det som är blankt är det på ett rått sätt och allt är helt svartvitt. Gardar Eide Einarsson skapar en värld som tillsynes tillhör den unge medelklasskillen; ett slags svartvit version av gatupolitiskt engagemang, populärkultur och modernistiska referenser. Här hänger stiliserade flaggor med slagord, står svartvita trafikkoner utplacerade, delar en mur av bildäck av en av utställningssalarna och lyser den kinetiska neonskyltsskulpturen Jesus Saves
Name Einarsson, Gardar Eide (1976 - ) lifespan 1976 - Gender Mann
Gardar Eide Einarsson, Liberty or Death, 2006 Ga rdar Eide Einarsson o ch hans kompis konstnären Ma tias Faldbakken h ar bägge en gammal förkärlek till undergroundkultur – zombies, black
Gardar Eide Einarsson’s work is characterised by borrowing elements from art history, as well as from contemporary sources such as graffiti and skateboard culture.
Ftth council 2021
Ann Heberlein, forskare i etik vid Lunds universitet, författare och kulturskribent och flitigt engagerad 4 maj. Karolina Gardar Eide Einarsson’s work is characterised by borrowing elements from art history, as well as from contemporary sources such as graffiti and skateboard culture.
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Gardar Eide Einarsson (Norwegian, b. 1976) is an artist whose work encompasses installation, printmaking, painting and sculpture. In his work, he critically
That Our Way of Justice Is Best (detail), 2018, acrylic, gesso and graphite on canvas, aluminum stretcher, 240 × 190 × 4 cm.